What to do with a corpse? Physical reality and the fictional world in the Shakespearean theatre

Mariko Ichikawa

研究成果: Review article査読

2 被引用数 (Scopus)

抄録

In the Shakespearean theatre, the removal of dead bodies from the stage was a theatrical necessity, owing to the absence of a curtain between the stage and the auditorium. Despite the many non-realistic conventions accepted in the theatre, the disposal of corpses had to be carried out in such a way as not to disrupt the reality of the fictional world. An analysis of certain kinds of intriguing situations, such as suicide scenes, reveals how efficiently Shakespeare and his contemporaries utilized the stage hangings, the upper gallery, and the stage trap so as to avoid the necessity of bringing on bearers for the corpses at the ends of the scenes. Only at the end of the play, when the logic of the fictional world stops functioning, could the spectacle of a corpse getting up and leaving the stage have been accepted by the audience.

本文言語English
ページ(範囲)201-215
ページ数15
ジャーナルTheatre Research International
29
3
DOI
出版ステータスPublished - 2004 12月 1

ASJC Scopus subject areas

  • 視覚芸術と舞台芸術
  • 文学と文学理論

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